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Put Down the Yarn Balls for a Minute: Let’s Make Some Slime

July 12, 2017




As a work from home mom, I need to find a good balance of work and play. That means sometimes I have to put the yarn down and pick up some fun activities that the kiddos can enjoy.

This time, my not-so-little Peanut had been BEGGING to make slime. I gave in. Of course, with this being a trend, and even having seen a YouTube goddess on Good Morning America with her own slime recipe, I had to try it.

The problem: All the slime recipes contained Borax. I make my own laundry detergent, so this is a common household item for me, but I also know that it destroys my skin if I touch it with my bare hands. I can only imagine what that would’ve done to my kiddos’ hands.

And because we do things with the OMG Factor, we needed to make bright and glittery slime without the requisite glitter epidemic that follows (I usually refer to this as glerpes, because once you have glitter, you have it for life).

My instructions are for one batch of slime which is enough for one child.

Ingredients:

  • 1 – 6oz bottle of Elmer’s Glitter Glue
  • 1 teaspoon baking soda
  • 1 1/2 to 2 Tablespoons Contact Solution
  • OPTIONAL: You’re welcome to add little things to the slime like toys, those little styrofoam balls, or whatever you like to make your slime even more awesome for your kiddos. I opted to add “Slime Ballz” that I found at Michael’s.

Other supplies:

  • Measuring spoons – Tablespoon and teaspoon
  • Mixing bowl – You might want to use disposable bowls or ones that you don’t care if you don’t use them again for anything else
  • Wooden stirrer – Like a paint stirrer or popsicle stick used for craft projects
  • Ziplock bags – For storage

Making slime is so easy, even 3 year old Sharky helped!

Instructions

  1. Pour the glue into the mixing bowl.
  2. Add the baking soda to the glue and stir until it’s completely mixed in. The glitter glue will look cloudy when ready. OPTIONAL: If you’re adding any toys or other things to your slime, this is the step where you add them.
  3. Add the contact lens solution. The mixture will start to harden quickly, so stir as much as you can before it turns into a ball. It will also stick to the stirrer, so you can pull the slime off of there when you get to the next step.
  4. Knead the slime by hand. Knead your slime into the remaining contact solution in the bowl like you’re making bread. The contact solution will make the glue become less and less sticky.
  5. Enjoy your slime! Play games with your slime. See how far you can stretch it. Mash it into a ball. Whatever you want, the sky is the limit.




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Quick Crochet Tutorial: How to do a Standing Double Crochet

July 5, 2017




You know I love to do ALL things fiber arts, right? That includes crochet.

I’m always knitting and always crocheting and sometimes things don’t always work out how you like them to, so you learn to fudge it, scheme it, or just plain make it work.

The goal of the site is to help cut out some of the scheming to make your projects look better by actually teaching some of the complicated stitches you might come across in your patterns.

Standing Double Crochet: A Brief Tutorial

I came across the standing double crochet while working on a cute little crochet sweater for Sharky two Christmases ago.

Even with almost two decades of crochet experience under my belt, I had never heard of this stitch which was being used to start rows of stripes along the front of his sweater. Sorry, I just remember what pattern I was using.

I initially shared the short tutorial on Instagram back in 2015, but it’s time to put this all in one searchable place that both you and I can come back to for reference. So, here we go:

Using the photograph above as a guide, complete these steps…
1. Yarn over hook twice. 2 loops on hook.
2. Insert your hook into the stitch, draw up a loop. 3 loops on hook.
3. Yarn over and pull through two loops on hook. 2 loops on hook.
4. Yarn over again and pull through two loops on hook. 1 loop remains and you’re done!
5. Once your next stitch is completed, your tail is tucked into the work.




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Gritty Photography, Free Spirits and The Oversized Sleeveless Tunic

June 28, 2017




 I like photography that stands out. I also like yarn that stands out and speaks for itself. When paired with the perfect project, photography and yarn can certainly make indie dyed yarn into a work of art.

The idea behind the Oversized Sleeveless Tunic design was to have a simple, oversized top that I could wear anywhere AND show off my yarn in a way that doesn’t take away from the speckled colorways I have been dyeing lately.

With the photography, I got adventurous in every way.

iPhone Photography

I use my iPhone for photography these days. Gone are the days where I had the time to grab my camera, take photos, download photos, edit photos, and then choose the best to go into patterns.

I take photos and edit them right in Instagram, send them to myself, and they get done in a much more streamlined manner (if that’s not another blog post, I don’t know what is…haha). The results are more unique photos and way less time is spent fighting with computer software to do what I want it to do.

The photos from the Oversized Sleeveless Tunic were purposefully grittier. They’re a throwback to when photography was new and a bit more of a raw art.

They’re also an homage to my favorite cinema director Tony Scott who experimented with older hand cranked cameras in the movie Man on Fire. The raw cinematography contributed to the die hard emotions of the film and was a way to draw the audience in to the wild spirt that comes alive when avenging the apparent death of a loved one.

I got a little adventurous and took the short walk to our lakefront in order to get a unique backdrop from the Lake Michigan shore. The free spirit in me has always loved looking out onto the lake and seeing nothing but endless skies and, of course, endless possibilities.

Showing off what gorgeous fabric that OMG Rushmore and the new color Newsprint is Dead can do, I created the Oversized Sleeveless Tunic.




Newsprint is Dead

The colorway wouldn’t exist if it weren’t for my three-year-old. I was playing with an idea (I’ve been looking for black speckled yarn that looked like newspaper EVERYWHERE) and layered grey and black together. My toddler snuck up behind me and asked, “What you doing?” half-jokingly, because he knew what I was doing.

I asked if I should add another color to the yarn and he said, “Yes! Pink!”

The result: A page of newspaper that looked a little bloody before the dye set. It almost looked like a murder scene. Perfect.

Oversized Sleeveless Tunic

As the pattern description says, as a mom of three young kiddos that are always on the go, I need to wear comfortable, loose clothing that allows me to keep up with all the fun. One of my go-to clothing items is a tank top or sleeveless shirt that I can layer under a cardigan or over a t-shirt.

The Oversized Sleeveless Tunic is designed to be a go-to knit that you can actually wear, be comfortable, and stylish at the same time. Pair this with solid color yoga pants, layer with your favorite tank tops and/or cardigans and knit it with your favorite sport weight, hand dyed yarn.

This design is beginner-friendly and perfect to show off a speckled, variegated, or even solid colored yarn. There’s six inches of ease, so your top will have a gorgeous drape to accentuate almost any figure shape.

It is constructed from the bottom up and in the round. The front and back are worked flat and there is a faux seam on the side that tapers to the under arm.

The day that I photographed this, I walked down to the lakefront and back, and it was just so comfortable that I left it on ALL DAY. I ran to pick up my boys from their dad’s house, I took all three kiddos shopping at Target, and then came home to rest. Mom clothing needs to feel un-impeding of the process of caring for kiddos and this did just that.

It also will go perfectly with a black cardigan I just bought, so it’ll likely get put into the rotation of my mom wardrobe aka the mom uniform.

The pattern is available for purchase in my Ravelry store and my Etsy shop as well. See links below.

Limited time only: The pattern is free in my Ravelry store until July 4, 2017, no coupon code necessary.




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7 Mistakes to Avoid When Starting or Growing Your Fiber Arts Business

June 17, 2017




The OMG Yarn (Balls) blog and Etsy shop may seem like an overnight success. In fact, it’s been a LONG time coming.

I opened an Etsy shop back in April 2011 after becoming a stay at home mom to my oldest, Peanut, who was about 18 months old at the time. He was an easy baby who’d started sleeping through the night at 6 weeks old, so I was feeling a little bored. I started knitting again. All the time.

By the following year, I’d opened a little yarn shop to keep me occupied. Peanut tagged along and took on the role of shop helper and the self-designated door opener for customers.

The success of my little yarn shop was not short lived, but I closed my doors to evolve the business beyond the storefront and do the things I loved.

Even with a Master’s in Business Administration and half a decade of management experience in the health care industry, I still made some mistakes and/or noticed other businesses make certain slip ups when it came to the billion dollar + fiber arts industry.

I warn you though. You can do EVERYTHING “right” in business and still not have the kind of success you want. Some of us will never be WEBS Yarn Store or Debbie Bliss, BUT we can have the kind of success that will feed our families or at least give us a little extra money to spend on more yarn. (That’s why we’re in this business, right? We love yarn.)

Let’s chat a little about some of those mistakes and what you can do to avoid them, shall we?

  1. Diving in head first without a plan or a safety net. 

    They tell you that entrepreneurs dive in and build the parachute on the way down. In a sense, we do, but really, there’s so much more involved.We stand on the edge of the cliff and decide whether or not to jump, whether or not the build the parachute, what color that parachute should be, and whether or not we might be able to aim for the bushes or not. What does that really mean?

    Start with a business plan. It doesn’t have to be a 50 page dissertation on why yarn and wool is awesome and that you think you can make money off of it, but it does have to lay out the basics – the Who? What? When? Where? Why? And How?

    I’m not going to go into how to write a business plan here, but things to keep in mind: Who is your tribe (target audience)? What services and products you plan to offer? What sets you above the rest (find other businesses that you love and write down what you could do better than they can or what you could stand to improve about yourself to be successful)? Where you will operate (a physical location, online, or both)? Why you are doing this (and no, it’s not just about making money)? What are you goals (mission and vision in the business vernacular)? How will you achieve your goals (include milestones and numbers – determine what success looks like to you)?




  2. Copying someone else’s business plan or strategy and not finding your own “OMG Factor”. 

    I often joke about making a project “OMG worthy”. Well, your fiber arts and your business should have that “OMG Factor”: something that’s unique and sets you above and beyond all the rest.Seriously. Don’t copy other people’s businesses. I’m not going to offer you a course on business ethics and it doesn’t matter what other people do. You need to do you, not be like someone else (and that’s a sub-point here too: don’t focus on what other people are doing). This isn’t high school.

    I once panicked because a local yarn shop opened up nearby and you could tell that the owner had essentially looked at my Facebook page and website and copied a lot (almost verbatim).The mistake there: businesses are more than just the sum of their parts. Fiber artists each have their own magic that they bring to their business. That means, you can copy EVERYTHING about a successful business and call it your own – you might even make some money from that strategy – but you will never have exactly what that owner and fiber artist offers to his or her customers.

    There’s also karma…eventually it’ll bite you in the ass.

  3. Not paying attention to overhead costs. 

    This kinda goes along with a well-written and executed business plan, however, overhead (operating) costs will make or break any small business.There are fixed costs – costs that won’t vary much or at all each month like rent, utilities, wages for employees (if you have them), etc – and there are variable costs – things like merchant fees that go up or down based on sales volume, etc.Offsetting those costs is what you need to do to be profitable. The more costs you have, the more sales you need to make in order to be successful.The best strategy is to keep your fixed costs low.

    For example, I took advantage of the fact that the real estate market in the area had not recovered yet from the market crash of 2008. I found a space where the landlord was desperate to find an occupant and ended up with 1,000 square feet of retail space and 1,000 square feet of storage for about $650 a month. There were no triple net fees like strip malls or other commercial spaces have.

    Because of how low the costs for my retail space and maintaining said space were, I could get away with just a few sales a day in order to break even! Any months where I got more than that offset the summer months when the shop was dead.

    I also did not take out any loans whatsoever. Not a Kiva loan, not a small business loan, nothing. Could you imagine getting a $100k loan and then not being able to pay it all off? I couldn’t take out any loans anyway, so paying cash for everything, learning to budget and managing cash flow were very valuable lessons I learned “on the job”. And it translated to my personal life well too. I don’t own any credit cards, I spend below my means, and I still have all the fiber toys I want!

  4. Offering only one or too few products to survive. 

    You think you can get away with just selling your yarn? Nope. You need to be creative with how you diversify your creative business.Sell your yarn. Work with a designer and offer patterns (or design your own). Find some unique tools or signature items that show off who you are as a fiber artist and stock them. Sell in multiple venues (online, retail space, craft fairs, trade shows, etc). Collaborate with other fiber artists or makers.

    The sky is the limit.

  5. Expecting it to be easy, find the magic formula, or be an overnight success. 

    As much as business coaches want you to buy into how you can be a success overnight, it’s always the exception, not the rule. Yea, there are people that are successful almost overnight, but you cannot compare what you see on the surface to what you have to do. You need to pay your dues (for the most part).

    The first thing a yarn shop owner told me when I was doing my market research was, “You know it’s a lot of work, right? You can’t just put in 40 hours and think you’re done.”She was right. I’m used to working a lot. I completed my MBA full time while working full time. By the time I was 24 years old, I had a Master’s Degree, an awesomely difficult job, and did nothing but work and sleep.

    I now have three kids and work from home. I ALWAYS have to be on the go (I’m my father’s daughter that way).Expect 60- to 80-hour work weeks. The front door of your shop may be locked and the sign may say “Closed” but you’re not done. There’s paperwork, bookkeeping, “running the numbers”, keeping track of sales, and so much more.It’s the stuff most people hate, but that I love doing and do it quickly and well.

    There are multiple things you will have to learn by doing and some things you can take classes for. Accounting/bookkeeping, basic business operations, and marketing skills are just some of the things you will absolutely need, even if you hire someone to help you.

    If you plan on blogging or having a kickass website, expect to have to learn some coding or server maintenance skills, depending on how you plan on running your site.




  6. Not keeping your business organized. 

    I prefer a little chaos, but I also know that there are certain things I need to find on a moment’s notice.Keeping organized is a must, so find tools to help you do that.My landlord noticed once that my studio space was always chaotic, but if he needed a copy of a canceled rent check from the beginning of the year, it took me two seconds to find it.

  7. Lastly, not sticking to a marketing strategy. 

    This is a BIG one. BIG. Focus on social media or another marketing avenue to let people know about your business. This was my biggest mistake.

    In fact, most of your time is spent on marketing, not actually making your signature product. I thought that all you had to do was publish patterns or tell people about your products and they’d buy. That’s not always the case.

    You need to make them want to buy from you. Make them see how awesome you are. If you’re on Facebook, engage your audience in a group, through your page, and in other groups as well, but don’t be spammy. If it works for you, stick with it.

    On Instagram, find your audience and cater to them by telling your story. They’ll be more likely to buy if you can show them your passion for the fiber arts and have something unique to offer them.

    Don’t just show your yarn. Show people how you make it. Show them what inspired your creations. Show people what they can make with it. I mean, not everyone buys yarn for the sake of buying it, some people want to have a project to make with it.

Above all else, have fun and fill your life with the “OMG Factor”. If fiber arts is your passion, you should be able to show that. It’s endearing to see how much other people are obsessed with their craft, because after all, we all love yarn.


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For the Mildly Offensive Fiber Artist in You: Cross Stitch

May 30, 2017




Well, we finally did it. The Mildly Offensive Fiber Arts Group that I help admin has reached over 10,000 people. Our favorite way to greet new members: “Welcome to the Fucking Fold”.

I first uttered those words, believe it or not, when I introduced my boyfriend to both my sons at the same time. We’re kind of a rowdy bunch; free spirits if you will. So, of course, knowing that I’m a yarn girl, I snakily said in exhausted newly single mom mode, “Welcome to the Fucking Fold. I should stitch that on a pillow.”

Well, this isn’t a pillow, but it’s definitely getting hung on the wall.

As a gift for you Mildly (or even Very) Offensive Fiber Artists and reaching 10,000 members of semi-controlled chaos, I’m posting the chart for you to use. Anyone willing to make a graphghan or non cross stitch wall hanging from this? 

Remember, if you share your finished work, include a link back to the site and give OMG Yarn credit!




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Choosing the Right Yarn Continued: How I Picked Out Yarn for Dyeing

May 26, 2017




Just about 3 years ago now, I launched an Indiegogo campaign to grow OMG Yarn and convert my yarn shop space into a studio. At the time, I was only using one yarn base – a fingering weight, 2-ply yarn that was pretty awesome to work with – and I wanted to expand the line so that I could focus more on yarn dyeing and the aspects of being a yarnie that I loved the most.

Well, being a yarn shop owner turned yarn dyer, I was a bit of a yarn snob in the sense that I only liked working with yarns that had certain characteristics, but mainly I liked yarns that were great for both knitting and crochet AND a variety of project types.

What should you look for in a yarn to dye?

  1. Fiber content. Yes, I know the industry is saturated with 100% Superwash Merino yarns, but that was the first one I looked at. It’s easy for beginning dyers to work with and you don’t have to worry about the yarn felting while you figure out which dye techniques work best for you.If you want to focus on a specific target market (your tribe) do some research on what that group prefers. The average die hard sock knitter likes to see some nylon or other durable fiber content in their yarn, so a wool/nylon blend or a cotton blend might work best for you to start with.Want to focus on knitters and crocheters who drop big bucks on luxury fibers? Mohair, angora, cashmere, alpaca and the like may be what you want to go for. If you have no experience dyeing yarn, I’d suggest not working with these expensive fibers while you experiment.
  2. How the yarn takes up dye. Once you’ve found a good source/supplier, figured out a good dye technique, and found a type of dye you like, try a few different yarn bases of similar fiber content to see how they take up the dye.Believe it or not, the two different fingering weight yarn SW Merino bases I’ve worked with took dye differently. Sometimes it has to do with how many plies the yarn has, how tightly spun the yarn is, what dye you’re using, etc. There are so many variables that effect the dye process.




    After playing around with samples from my supplier, I actually dropped the original fingering weight yarn base I used and went all in on a more energetically spun 4-ply yarn that was SUPER soft, yet durable enough for socks. Why? The depth at which the yarn took dye compared to others was absolutely spectacular.
  3. Cost. I am a big fan of maximum quality for the lowest cost. Why spend $20 a ball for ok yarn that doesn’t do what you want it to when you can spend $10 a ball for a more luxurious feeling yarn? Why work with expensive dyes that require costly mordants or extra supplies to protect the environment you’re dyeing in, etc.Having a multi-income stream (diversified) business, I needed to get the most bang for my buck, as I essentially owned two businesses: the yarn dyeing side and the brick and mortar yarn shop side. I also paid cash for EVERYTHING, so managing cash flow was high on the priority list. Can you tell I put my MBA to good use?I was fortunate that my yarn supplier had a bajillion different yarn bases at varying costs, weights, and fiber content, so I had plenty of options to choose from. When you buy more, the bigger discount you get too! My supplier also offers free shipping on everything, and what’s not to love about that? I don’t even want to know what shipping would cost on 100 pounds of yarn (although, with my most recent collaboration for yarn dyeing, I’m about to find out…haha).
  4. The manufacturer/supplier. Yes, this is important too. Can you rely on your supplier to properly skein and protect your yarn from damage or dirt from the shipping and dye process?With over half a decade of yarn dyeing experience and yarn shop ownership at this point, I’ve definitely hit some speed bumps dealing with manufacturers. I’ve had a mill throw white yarn into a dirty box, then ship it with no bag to protect the yarn from the Wisconsin winter weather once it arrived on the shop doorstep. I was livid.And when I went to dye the yarn, I found out the hard way that the skeins were not properly tied, so I ended up with some really expensive yarn barf that I couldn’t even sell. When I called to complain, NO ONE returned my calls or addressed my concerns. I was DONE (with a capital ‘D’ DONE).No, you can’t possibly prepare for all of the what ifs, but you can significantly cut down on your disappointment or potential loss of income by choosing reputable suppliers (ask around the inter-webs…some dyers may not offer up any secrets, others, like me, are happy to offer some advice).

Check out my other post about how to choose the right yarn for a project, because that’s also a good guide for choosing yarn to dye.

In the end, it’s up to you what yarns you settle on to dye, but I wish all new yarn dyers good luck in their endeavors. It’s not easy, but it is soooooooo much fun. I mean, how else can you mix a little mad scientist work – that’s how I feel when dyeing yarn – with artistry and end up with something that will be beautiful for a lifetime (as long as you take good care of it)?




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How to Take Your Shawl Game to the Next Level: Applied Lace Borders

May 17, 2017




Shawls are one of my favorite things to knit. They’re versatile wearables, great for every season and occasion, AND I absolutely love how simple, beginner-friendly shawls show off hand dyed yarn.

Now, if you really want to take your shawl knitting game to the next level, you may want to try a couple different patterns with new techniques.

My latest shawl design, the Water Shawl, uses an applied border (aka applied lace border or knitted-on border).

What is an applied lace border?

An applied lace border is a type of border treatment where the stitches are worked at a 90-degree angle to the body stitches. In all seriousness (this is a Melina-ism phrase), nothing special is really done, you’re just casting on border stitches and then working the last stitch of the border row with the first live stitch from the body (k2tog or how you’re otherwise instructed by the designer). Then you turn your work, and the next live body stitch is worked together with the first stitch of the next wrong side border row.

This will all make sense in a minute here.

In the case of the Water Shawl, you end up working the body of the shawl in a top down fashion. Then, on a right side row, you cast on the proper number of border chart stitches and start working them, working a k2tog with the last border row stitch, and the first live stitch from the body.




Dangit, Melina, that makes absolute no sense. Show me some pictures dagnabbit.

I know, I know. So, let me show you, using the Water Shawl to demonstrate:

    1. First, to set up, when I finished working all the charts for the body of the Water Shawl, I turned the whole work so the right side was facing me. Place a marker before your live stitches (to alert you when you get to the live stitches), and then, using the backward loop method, cast on the number of border stitches necessary. In the case of the Water Shawl, I cast on 29.
    2. Work the first row of your border chart/instructions to the last stitch, which will get you to one stitch before your marker like this: 
    3. Slip the stitch from your left needle onto the right, remove the stitch marker, and place the stitch you slipped back on the left needle. Essentially, you’re just removing that stitch marker for a second.
    4. Now, knit two stitches together (k2tog)……and turn so the wrong side is facing.
    5. If you notice, the working yarn is now on the left needle. The next live stitch from the body is on the right needle. Slip that live stitch onto the left hand needle and put your stitch marker on the right needle.
    6. Now, purl two together (p2tog).Do you see how that works? Here’s what it should look like after you purl those two stitches together:
    7. Now you can go on to finish the rest of the row as written.
    8. Repeat steps 2 through 7 ad nauseam et infinitum (until you run out of live stitches).

    Why use the applied lace border in a design?

    The applied border allows for extra drape along the border. The Water Shawl is definitely a huge beast of a shawl and needs all the help it can get to get that swagger going. An applied border seemed like the only option, really.

    I think it also adds a unique dimension to any design. Honestly, anytime I see any knit or crochet item, I’m analyzing its construction (be warned, as an introvert, I’m probably more into your sweater until I get to know you better…lol). With this type of border, your stitches are perpendicular to the body stitches, so as a knitter and a designer, I like seeing the stitches go in different directions.

    Want to make the Water Shawl? Click here to go to Ravelry to purchase or click on the patterns tab above and that will take you to my Etsy store which also has the pattern available.




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Offensive Fiber Art and the Art of Offending through Art

May 11, 2017




My belief is that art should not be comforting; for comfort we have mass entertainment and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish. – Joyce Carol Oates

What do you think? Should art provoke? Should art offend? It certainly can.

Let’s explore that fact today, shall we?

In case you did not know, I help admin a Facebook group called, “Mildly Offensive Fiber Artists”. My friend Nicole Goetz of Mercantile 519 started the group a few months ago and it’s now composed of over 8,000 people!

Being an admin for large Facebook groups requires you to step back from your own personal beliefs in order to objectively look at problems that may arise between members of the group and offer a fair solution that may or may not help. If you can’t help, sometimes you remove people from the group, sometimes you take down posts, and sometimes you offend or enlighten others around you.

Offensive Fiber Art(ists)

My foray into my own mildly offensive fiber art didn’t start with knitting that big pile of pink hats for the March on Washington earlier this year, but it certainly influenced me a great deal. Discussions surrounding the hats usually took on one of two forms:

  1. People who were greatly offended by their interpretation of what the hats were all about AND
  2. People who were offended at the offense people took over the hats.

This eventually pointed me in the direction of where I wanted to go with OMG Yarn (Balls) and this little bloggy of mine.

I LOVE art. I have my own projects (like the “It Is Too Fucking Cold” hat pictured above), but I love seeing what people come up with on a daily basis in the Mildly Offensive Fiber Artists group. What I look forward to most is seeing some of the things that cross stitchers and embroiderers post: sassy sayings stitched in a way to provoke.

Most recently and most notably, a post in the group provoked a bit more than just an “OMG” from our members, but an intense discussion of institutional racism and experiences of others. Discussions got aggressive and beyond mildly offensive, leading multiple reports of the post. The image itself offended many as well.

Trying to stay neutral, I posted: “Admin here: Hi, stop reporting this post. If someone is being disrespectful to each other, contact us admins. You may not agree with the viewpoint given by the art in this post, but art is supposed to be provocative. Don’t like it, keep on scrolling.”

Then, I thought twice. Yes, art is supposed to be provocative but if it isn’t, is it still art?




The Art of Offending

As artists we cannot choose what is offensive to others, we can only create artistic works and hope that our intended meaning comes through. I mean, of course, sometimes a hat is just a hat and a sweater is just a sweater, but what about knitting or crocheting a uterus and sending it to a legislator to invoke change?

I cannot create a piece of art meant to offend and expect that EVERYONE will be offended. I also cannot tell someone who is offended by what I think is benign that they don’t have the right to be offended, even if it wasn’t my original intent. Like I said, we cannot control who is offended from who is not, but we can use art media in a way to provoke conversation.

Hell, there was a point at which someone was offended by my modern take on a dream catcher, even though I, myself, am Native American. I could have been offended by someone telling me what pieces I could and could not make, or I could have learned from the conversation. Why was she offended? What could I do better as a person to explain myself? Am I even required to explain myself as not exploiting a particular culture?

And then you could be offensive in what materials you use or how you use them…

The one thing that comes to mind when I think of offensive art was the fallout from Chris Ofili’s painting, “The Holy Virgin Mary”. The artist used elephant dung as a medium and the whole world lost their damn minds over it. Haha!

In the fiber arts community, there’s that lady who knits while keeping her yarn in her vagina. Nah, I’ll pass.

Offending, Provoking, and Invoking Fiber Arts as Means to an End for Change 

Me, personally, I just stick to my occasional craftivism and hope to impact the world positively through knitting and crocheting for a cause and also to help pass on the tradition of fiber arts to younger generations. That’s what I mean to do with my fiber art for fun. The heavy lifting for OMG Yarn, obviously is yarn dyeing and designing, but still, it wouldn’t be fiber art without a little bit of stirring up the pot, right?

Historically, knitters and crocheters have been on the forefront of change in many ways, and craftivism is not a new concept.

“The history of craftivist art lies in the foundations first established by the Arts and Crafts movement in the UK. The idea of ethical interactions and relationships between the artist and his or her environment as a whole has carried through the generations. Female-led efforts to promote craft industries in Canada during the late 19thcentury have also influenced today’s craftivist undertakings by implanting the trend with feminist values and ethics. Craft artists and social action groups are thus driven to create their art in conjunction with a framework dedicated to political change and constructive protest. Through the manipulation and exploitation of stereotypes that lie in the assumed innocence of knitted artwork, the familiarity and gentleness of craft art has become a tool for assertive social action.” (Hardy-Moffat, 2012).

Now, I’m seeing people I’ve met in the fiber arts industry, people like Donna Druchunas and more, invoking social change and awareness with their fiber arts. Facebook groups like Mildly Offensive Fiber Artists and Compassionate Craftivists have popped up for fiber artists to unite their efforts or just ogle over others’ hard work at “offending”.

In the end…

Fiber artists are really just group of people out for tolerance, acceptance, and change and they’re united through an obsession with various fibers made into string. What’s not to love about that?

And yes, I do realize that there are people that knit, crochet, spin, etc. just to relax or have fun, but that is evocative too, no? What say you?




References.

Frank, P. (2015, June 01). At $2.3 Million, It’s The Most Expensive Painting Made Of Elephant Poop. Retrieved May 11, 2017, from http://www.huffingtonpost.com/2015/06/01/chris-ofili-elephant-dung_n_7470692.html

Hardy-Moffat, M. (2012, November 16). Feminism and the Art of “Craftivism”: Knitting for Social Change under the Principles of the Arts and Crafts Movement. Retrieved May 11, 2017, from http://cujah.org/past-volumes/volume-v/essay3-volume5/

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Baa Baa Black Sheep: Being a Person of Color in the Fiber Arts Industry

May 2, 2017




*Hits publish and waits for the trolls* I got my first trolls a few weeks ago. Seriously, just don’t bother, I won’t engage. Didn’t I tell you I was a little bit sassy? PS. My title was meant to be a little bit provocative to get your attention.

Reviving my fiber arts business has made me personally reflect on my life experiences, not only as a business person, but also on my career as a yarn shop owner and yarn dyer. Most of my experiences are good and only very few laden with the self-doubt that usually is involved with being a person of color in any realm of life. What does that all mean? Well, let me share a little bit of that with you today.




First, A Brief Sociology Lesson 

Although I was born in Florida, I have spent most of my life in Milwaukee, Wisconsin and its suburbs. Milwaukee competes with other major cities each year being one of the most segregated cities in the country.

That doesn’t necessarily mean what most people think it means; it means that there are pocket communities within the city itself, but it also means that there is a lot of racial disparities, class/caste divides, and a ton of stereotypes about ANYONE and EVERYONE flying around.

Race is actually a social construct, so the definition of being a person of color has changed throughout history. Being black usually meant being an “undesirable” or “unacceptable”. It didn’t always mean African American, but included a number of ethnicities that now would be classified as Caucasian or White. It is because of that fact – and my personal family genetics – that I do not personally identify as black, but as either “other” or “mixed race”.

So WHAT are you?!

Sassy answer: I’m a superhero.

Semi-sassy answer: I’m human.

Real answer: There isn’t a real answer. I don’t fit into a nice and neat category and that bugs A LOT of people. My father’s family is Jamaican and Costa Rican with history that can be traced back to a dude that got kicked out of Ireland (What the hell do you have to do to get kicked out of Ireland?! ). On my mother’s side there’s (*deep breath*) German, French, Swiss, Native American, Chinese, and somewhere, buried deep is a couple drops of African American.




As a result of that cocktail of nationalities, this All-American Navy brat has “frotastic” curly hair, freckles, and white chocolate, mocha-colored skin with olive undertones (thanks to my Costa Rican familia). All that European background means I have some blonde hair mixed in to my deep brown and ZERO booty to shake, but all the other bass clef, Marilyn Monroe-esque curves.

My kids are various shades of beige ranging from “glow in the dark” to caramel latte. Ola has auburn/red curly hair, Sharky always looks pale, and Peanut was born with Royal Blue eyes (which has changed to a gorgeous shade of hazel).

But This is 2017! How does being a POC effect your fiber arts business?!

Meh, most days, it doesn’t. Seriously, I’ve been #blessed beyond words. My regular customers are wonderful and I have no complaints. In fact, I would argue that the fiber arts industry is much more open-minded than the rest of the country, probably why fiber artists have been the face of a lot of different social change movements both recently (think pink hats and knit/crochet uteri) and in the past. Remember, the road to change is paved with yarn.

Most of the effects are self-inflicted, but I have had some experiences that shape how I personally choose to do business. How?

    1. I refuse to be a patron to businesses that show obvious bias against me personally or my business. Not naming names, but outside of the fiber arts industry, there are some hotels that I will not stay at because of terrible service as the result of my perceived race and also because of my gender. One chain even went so far as to not return my calls when I filed a complaint, but they would return my then husband’s calls within minutes of his voicemails.It was only months later, when I filed a public review of management’s treatment of me and had the credit card company reverse charges, did I receive a call, which went something like, “You can’t possibly think we discriminated against you. Come stay with us again, free of charge, and we’ll change your mind.” To which I responded, “You couldn’t pay me enough to make me want to stay there again. Money is not something that motivates me.” *click*
    2. I am actively inclusive of ALL people. Hey, I may not always be able to properly vocalize how much of a neutral person I am, but seriously, everyone who isn’t a danger to me or my family is welcome in my proverbial store and is welcome to a hug if we ever meet in person. I also started out with silent tutorials to be inclusive of my hearing impaired audience.
    3. I pledge to get in front of the camera more so that people of color can have a fiber arts hero that looks like them, even if I didn’t.  My new motto these days, “If you can’t find a hero that looks like you, be that hero.” I am working on building up my self-esteem to get in front of the camera and introduce myself to you personally. See the person behind the knitting and crocheting hands and the personality behind the crass and sass.

We don’t always get to see people of color in fiber arts, so it can lead to a lot of self-consciousness for those of us to don’t fit the mold of stereotypical knitter or crocheter.Since knit and crochet design also fits into the realm of fashion, I need to get out and represent the curvy-hipped, larger-bosomed ladies like myself. Beauty comes in all shapes and sizes and colors of the rainbow, and I want OMG Yarn to reflect that vision. I’m totally ok with you and want you to be ok with you too!




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Free Pattern: Landon’s Sweet Baby Blanket

April 24, 2017




In an effort to keep all my patterns in one spot, I’m moving this free pattern over to the OMG Yarn (balls) website. It’s an oldie, but a goodie, and I designed this for a (now former) co-worker’s baby.

Pattern

Well, it’s a good thing that I actually kept notes and wrote myself a basic pattern for the blanket I made for our family friend’s baby named Landon, it seems he’s gone viral overnight!  I posted his picture last night on the Midwest Yarn Facebook page upon receiving the appreciation photo – actually, my husband got it texted to him with a follow up saying that the picture was too cute and he might want to hide it from me (because I love baby pictures!).

So Landon’s Sweet Baby Blanket is quite simple to do and it’s a perfect weekend project to whip up if you have a short deadline like I did.

Yarn

  • Sirdar Snuggly Baby Bamboo DK, 105 yds/50g: 5 balls of main color, 2 balls of the complimentary color.
  • OR any DK weight yarn that will get the gauge listed below.

Gauge

  • 5 sts per in on US 6 or size to obtain gauge.

What You’ll Need

  • 40″ US 6 Circular Needle or size to obtain gauge (I used a US 5 because I wanted my stitches to be tighter together – big or loose sts mean little fingers can get tangled up in there)
  • A tapestry needle to sew side seams and weave in ends.

Glossary

  • MC: Main Color
  • CC: Complementary Color
  • slm: slip marker
  • pm: place marker



Blanket 
Cast on 140 sts in CC.  Work in garter st until blanket measures 2″ from cast on edge.

Switch to MC.

Row 1: Work first row of letter chart (below), pm, k to end of row.
Row 2: Purl to marker, slm, work next row of chart.
Row 3: Work next row of chart, slm, k to end of row.

Repeat Rows 2 & 3 until letter chart is complete.

Continue in st st in MC until blanket measures 28″ from cast on edge, ending on a WS row.

Switch to CC. Work in garter st for 2″. Bind off loosely.

To complete borders, pick up about 3 sts for every 4 rows along side of blanket. Work in garter st for 1/2″. Bind off loosely. Repeat on other side.

Weave in ends. Lightly steam to block.




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